ARTIST & DESIGNER

ANITA THOMAS

artist brushes are backlit against a window in winter sm

About

My Story

I am a lifelong, multi-disciplinary artist working in encaustics, acrylics, cold wax with oils, and photography. My specialty, encaustics, was practiced by the ancient Greeks as far back as the 5th century B.C. Older than any oil painting, it is a highly archival medium made with natural beeswax, damar resin crystals (a sap from trees found in Indonesia and Malaysia), and raw pigments. Each layer is fused to the previous with the heat of a blowtorch and is typically worked on wooden panels.

Originally from Toronto and now living in Hamilton, I am grateful to have recieved multiple awards for my work over the years. Available through specialty stores and online, I also participate in arts festivals, fundraising events, and juried group and solo exhibitions including at the Art Gallery of Hamilton, McMaster Innovation Park, and the Louvre in Paris, France.

My work hangs in private collections and professional offices throughout Canada, the United States, France, Australia, New Zealand, Ireland, and the United Kingdom.

“Being an artist means forever healing your own wounds, and at the same time, endlessly exposing them.”

– Unknown

Work

My Recent Work

Art in the Workplace Featured Artist

In the Wake of Silence

Working across different mediums and styles fuels my creativity. I find endless inspiration in the unique techniques and properties of each material.
For me, artistic growth comes from exploring these diverse sources of creative expression.

This new body of work delves into the desolation born from imagined outcomes of global conflict and tension. It reflects the longing to escape from everyone and everything, yet acknowledges the enduring need for connection. Even in the company of a select few, friction arises. The pieces explore the dynamics of leadership, conflict, harmony, and solitude—universal constants that persist regardless of the size of our collective. Amid this unchanging reality, the pursuit of inner peace remains the ultimate goal.

Although I was in a place of doom and gloom while painting it, there are little treats “hidden” in each work for my 3 and 5 year old granddaughters – things that they will recognize even at their young ages. I hope it will bring them delight once they start to discover them in each of the paintings in this series.

Art in the Workplace group exhibitions are held in the beautiful atrium of McMaster Innovation Park, 175 Longwood Rd South, Hamilton, Ontario. This 41st exhibition is on from March 3 to June 18, 2025 and open during normal business hours, Monday to Friday, 8 AM to 6 PM.

Thomas Anita FrictionAndFlame

Friction and Flame

Acylic on Canvas
24″ x 36″

‘Friction and Flame’ captures that inevitable tension when companions exist in different realities. Two houses stand near each other, yet one is turned 90-degrees away—one faces its door toward the sunshine while the other’s entrance confronts the abyss. The stark blues and blacks emphasize this fundamental disconnection in perspective, while hidden within—little 3s, 5s, As, and Bs remind me of what truly matters. While painting this series with many external pressures, thoughts of my granddaughters would break through the gloom, offering moments of lightness.

Thomas Anita TheEchoOfCommand 1

The Echo of Command

Acrylic on canvas
12″ x 12″

‘The Echo of Command’ reveals the dynamics of leadership—one house faces two others, as if directing them. Working on this piece, I contemplated how power structures persist regardless of circumstance. The commanding blue tones and stark contrasts speak to the tension between guidance and control. This piece holds special meaning, as creating it offered moments of respite from the weight of current events.

Thomas Anita HarmonysThread

Harmony's Thread

Acrylic on canvas
12″ x 12″

In ‘Harmony’s Thread,’ three houses face the same direction, finding unity despite the barren landscape. This piece emerged during a moment when I questioned whether harmony is still possible in a world of increasing division. The subtle balance of light and shadow represents how fragile our connections can be. My granddaughters’ influence sneaks into this one too—their numbers and initials offering a reminder that love persists even in desolate places.

Thomas Anita BalanceInTheRift

Balance in the Rift

Acrylic on canvas
36″ x 36″

‘Balance in the Rift’ reveals the stark confrontation between light and darkness. Two houses face each other across an abyss—one turned toward the radiant sun, the other embracing the shadows. The tension between these houses speaks to our fundamental choices: to seek illumination or to retreat into darkness. Subtle traces of my granddaughters’ world—their numbers and letters—are woven into the landscape, reminding us that perspective is everything.

Thomas Anita TidesOfUnravelling

Tides of Unravelling

Acrylic on canvas
36″ x 36″

‘Tides of Unravelling’ captures a moment of fragile tension. Two houses stand in stark opposition—one facing the sun, its ground beneath tenuous and uncertain, the other turned away toward emptiness. The blue and black palette intensifies the sense of precarious balance. Hidden within the landscape are whispers of my granddaughters’ world, small marks of hope tucked into the very fabric of uncertainty.

Thomas Anita BetweenTheShadows

Between the Shadows

Acrylic on canvas
12″ x 12″

‘Between the Shadows’ explores the space that divides us. These houses, turned away from each other, speak to our isolation even when others are near. The blues and blacks create a world where connection feels just out of reach. While painting this piece, I couldn’t help but think about what truly separates us—is it physical distance, or something deeper? Look carefully at the ground between these structures—you might discover something unexpected.

Thomas Anita SolitaryCompass

Solitary Compass

Acrylic on canvas
12″ x 12″

The journey of ‘Solitary Compass’ began as the world shifted around me. Standing alone on its hill, this solitary house represents our search for direction when everything feels uncertain. Like many of us, it stands resilient against the harsh sun and deep shadows. If you look closely, perhaps you’ll find something special hidden in the sky—a little treasure I’ve included for two special little art enthusiasts in my life.

Thomas Anita EclipsedBySilence

Eclipsed by Silence

Acrylic on canvas
24″ x 36″

Solitude can sometimes be our greatest teacher. ‘Eclipsed by Silence’ features a single house looking out toward barren land but facing the sun—embracing light despite the emptiness surrounding it. The harsh contrast between illumination and shadow reflects the choice we all face: whether to turn toward brightness or darkness. As I worked on this piece, the uncertainty of the world weighed heavily, yet searching for those hidden elements became a meditation on finding hope in isolation and choosing which direction to face.

Ubbe DSC wmsm

UBBE
Encaustic on wood
with yakisugi sides
16″ x 12″

Torvi DSC wmsm

TORVI
Encaustic on wood
with yakisugi sides
16″ x 12″

243194189 1083638565797979 1958228273477381620 N

DVSA ANNUAL AUCTION 2025

These two abstract encaustic paintings are in the Dundas Valley School of Art annual fundraising auction. They are two six from a series called “The Realm of Largetha”.

Both pieces are finished with yagisugi on the sides – a traditional, very old Japanese method of wood preservation, accomplished by burning and charring the wood. It is fitting for a medium that itself requires fire in its process to fuse layer upon layer of encaustic medium to the previous. This is a 2500+ year old ancient art form that is highly archival and uses 100% beeswax, tree sap (damar resin), and raw pigments for colour. 

Visit DVSA to find out more about this very exciting auction with so many gorgeous artworks up for grabs.
MORE INFO…

Ethereal Return

Encaustic on birch cradled panel, 2022

Lagertha

Encaustic with mixed media on wood panel, 2022

Deafening Silence

Encaustic on birch cradled panel, 2022

Lothbrok

Encaustic on cradled panel

Artist Statement

My work covers a range of mediums and styles but my favourite is encaustics. This ancient practice of painting with molten beeswax, tree resin, and raw pigments allows me to mix contrasting textures and techniques as I paint with the fire of my blowtorch.

I have enjoyed working in encaustic since 2013. Every aspect of it, from the process of making my own encaustic medium and paint to the many techniques that can be applied, is highly addictive. The alchemy of it all draws me in and satisfies in so many ways. The possibilities are endless as you react to what happens within your control and also to that which is gifted to you serendipitously.

My art is an expression from within, a record of my journey as I move through my life. It is at times random as my attention flits from this to that, but other times I delve deeper, lingering in a period of that which comforts me. My inspiration draws upon everything around me. What I see, what I feel, interactions with others… I take it all in and focus falls upon whatever lights me up inside while working with whichever medium that calls to me.

My Journal

It’s been pretty busy lately with a couple of big, exciting projects on the go. We’re now on Exhibition No. 5 for Art at Seven Innovation at the Hamilton Technology Centre which runs from February 13 to June 18, 2025. The opening reception was March 5 from 7 PM to 9 PM and it was a fabulous turnout.  

I am honoured and very grateful to have been selected as the Featured Artist at the 41st McMaster Innovation Park Art in the Workplace exhibition. It is on from March 3 to June 18, 2025 with the Opening Gala to be held March 27 from 7 PM to 9 PM. It’s sure to be a fun evening and all are welcome!

Featured Artist in Exhibition 41 of McMaster Innovation Park’s Art in the Workplace

Featured Artist in Exhibition 41 of McMaster Innovation Park’s Art in the Workplace

I’m very excited to announce that I am the Featured Artist of Exhibition #41 of McMaster Innovation Park’s Art in the Workplace. It is a great honour and I am very grateful to have been asked. I did a new body of work that has been greatly influenced by world events of late. The series is called “In the Wake of Silence” and although I was in a place of doom and gloom while painting it, there are little treats “hidden” in each for my 3 and 5 year old grand-daughters – things that they will recognize even at their young ages. I hope it will bring them delight once they start to discover them. This show is on from March 3 to June 18, 2025 and open during normal business hours. Join us for the Opening Gala on March 27 from 7 PM to 9 PM. It’s always a fun evening in a beautiful space with music, food, and lots of beautiful art.

DVSA 2024 Spring Auction

DVSA 2024 Spring Auction

It’s that time of year again for the annual Dundas Valley School of Art spring auction and this year, I have two abstract encaustic artworks in it.

Held each April, Dundas Valley School of Art’s Annual Art Auction is one of the Hamilton/Burlington region’s largest art auctions featuring over 1,400 original works in a range of mediums – paintings, pastels, drawings, prints, photography, sculpture, pottery, glass, fibre art, jewellery and more. This one-of-a-kind online and in-person event offers an exceptional opportunity to purchase original, high-quality and affordable pieces by art world greats and the region’s new and established artists.

Our 54th edition of the Annual Art Auction is scheduled for March 31 – April 6, 2025. The Live Auction Night is Friday, April 4. MORE INFO…

Contact Me

Get In Touch

If you need more information about my work or are interested in having me create something special for you, let’s chat!

4 + 15 =

Canadian Artist

Anita Thomas

Artist/designer